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Red Rock Sound EQ302是一款32频段均衡器,在16 Hz和20 kHz频率之间的1/3倍频程中提供12 dB的剪切或增强。
The graphic equaliser is a vital component in any audio system. The entire signal passes through it and so any limitations imposed by the equaliser will compromise the performance of the whole system. For example, an indifferently designed equaliser may introduce severe phase distortion, noise and other anomalies related to centre frequency accuracy, filter shape and attenuation accuracy which may manifest themselves as an overall deterioration in the perceived sound quality of the system. Clearly, this is an unacceptable state of affairs, but fortunately your choice to utilise a Red Rock Sound EQ302 Graphic Equaliser will eliminate these problems, offering you unprecedented product performance coupled with the highest filter calibration and reliability standards in the industry.
图形均衡器是任何音频系统中的重要部件。整个信号都会通过它,因此均衡器施加的任何限制都会影响整个系统的性能。例如,设计不同的均衡器可能会引入严重的相位失真、噪声和与中心频率精度、滤波器形状和衰减精度相关的其他异常,这可能表现为系统感知声音质量的整体恶化。显然,这是一种不可接受的情况,但幸运的是,您选择使用红岩音响EQ302图形均衡器将消除这些问题,为您提供前所未有的产品性能,以及业界最高的过滤器校准和可靠性标准。
It should be noted that graphic equalisation cannot always overcome all frequency response related problems. There are applications where the ability to cut and boost the response at a particular frequency, or over a certain bandwidth other than the equaliser specified one, is required to overcome exceptionally difficult response anomalies or narrow band feedback problems.
应该注意的是,图形均衡不能总是克服所有与频率响应相关的问题。在某些应用中,需要能够在特定频率下或在除均衡器指定带宽以外的特定带宽上削减和增强响应,以克服异常困难的响应异常或窄带反馈问题。
When such an instance is encountered, it may be more appropriate to use the greater range of control provided by a parametric type equaliser, where the centre frequency, bandwidth and amplitude are all controllable.
当遇到这种情况时,可能更适合使用参数型均衡器提供的更大控制范围,其中中心频率、带宽和振幅都是可控的。
Equalisers may be used for corrective or creative purposes and the Red Rock Sound EQ302 is applicable in both live sound and studio applications.
均衡器可用于纠正或创作目的,红岩声音EQ302适用于现场声音和录音室应用。
For studio use, a pair of 1/3 octave equalisers might typically be used to compensate for deficiencies in the control room acoustics and in this instance, the precision allowed by 32 bands is a great advantage. Because it is almost impossible to set up an equaliser accurately without first analysing the room response, the centre frequencies of the filters have been chosen to correspond with those of the Red Rock Sound SA60 Spectrum Analyser. In this way the readings can be transferred directly from the analyser to the equaliser.
对于演播室使用,通常可以使用一对1/3倍频程均衡器来补偿控制室声学的不足,在这种情况下,32个频带允许的精度是一个很大的优势。由于在不首先分析房间响应的情况下,几乎不可能准确设置均衡器,因此已选择滤波器的中心频率,以与红岩声音SA60频谱分析仪的中心频率相对应。这样,读数可以直接从分析仪传输到均衡器。
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Double click — reset to default value;
双击-重置为默认值;
Shift — reduce knob/fader sensitivity.
换档-降低旋钮/音量控制器灵敏度。
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