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In the mid-to-late ’80s, death metal was a peripheral genre of underground bands. Then, by the early 1990s, acts like Death, Morbid Angel, Cannibal Corpse and a handful other US bands predominantly from the Florida and East Coast areas started gaining traction. At the same time on the opposite continent in the UK, the likes of Carcass, Benediction and Napalm Death advanced with their own breed of death. On the other shore of the North Sea, in Scandinavia, bands such as Entombed, Therion and At the Gates all added their own blend to the mix. By then, the rest of the world had caught on and death metal as a phenomenon was a fact. Ever since, trends in heavy music have come and gone, but death metal has stayed its course and stood its ground. Arguably no genre has evolved in a more organic way, with a constantly rejuvenating fanbase and steady increment of bands. Today, although fragmented and more of an umbrella to a host of sub-genres, death metal has never been more alive.
在80年代中后期,死亡金属乐队是地下乐队的一个外围流派。然后,到了20世纪90年代初,像《死亡》、《病态天使》、《食人尸体》这样的乐队以及其他一些主要来自佛罗里达州和东海岸地区的美国乐队开始受到欢迎。与此同时,在英国的另一个大陆上,像“屠体”、“祝福”和“凝固汽油弹之死”这样的动物也随着它们自己的死亡种类而前进。在北海的另一边,在斯堪的纳维亚半岛,像“安托贝德”乐队、“Therion”乐队和“At the Gates”乐队都加入了他们自己的混合音乐。到那时,世界其他地方已经流行起来,死亡金属作为一种现象已成为事实。从那以后,重音乐的趋势来了又去,但死亡金属一直坚持它的路线和立场。可以说,没有哪一个流派能以一种更有机的方式发展,不断更新的粉丝群和稳定增长的乐队。今天,虽然支离破碎,更多的是一把伞,以一个主机的子流派,死亡金属从来没有更活跃。
This is where the Death Metal EZX takes its vantage point – to bring you timeless drums, tailored for modern death metal production. It was recorded by acclaimed engineer/mixer/producer Mark Lewis at the impeccable room at Sonic Ranch in Tornillo, Texas, and sampled by legendary drummer Sean Reinert (Death, Cynic). The two featured kits, handpicked from the Death & Darkness SDX, display two kindred but fundamentally different beasts of razor-sharp, pristine and crystal clear drums designed to cut through in anything from rampant tempos to dense walls of guitars and extremely layered productions.
这就是死亡金属EZX的优势所在——为您带来永恒的鼓,为现代死亡金属生产量身打造。这是由著名的工程师/混音师/制作人马克·刘易斯在德克萨斯州托尼洛的音速牧场的无懈可击的房间录制的,并由传奇鼓手肖恩·雷内特(死亡,愤世嫉俗)采样。从死亡与黑暗SDX中精心挑选的两个特色套装展示了两种相似但根本不同的动物,它们拥有锋利、质朴和晶莹剔透的鼓,设计用来穿透任何东西,从猖獗的节奏到密集的吉他墙和极其分层的作品。
With the Death Metal EZX, you get the touch and stroke of a legendary drummer combined with Mark Lewis’ engineering applied on two meticulously sampled and tuned drum kits, ready to bring your music into the future and add some new life to your death metal.
与死亡金属EZX,你得到了触摸和中风的传奇鼓手结合马克刘易斯的工程应用在两个精心取样和调整鼓包,准备把你的音乐到未来,并添加一些新的生命到你的死亡金属。
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