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Opal Comp is undoubtedly the new frontier of compression, representing the best possible combination of old and new, based on the experience of one of the most famous British designers, Mr. John Orama. Sample-accurate, this is one of the best high-quality dynamics processors from the esteemed John Oram, and has been the choice of many industry professionals over the years, including the legendary Al Schmitt.
Opal Comp无疑是压缩领域的新前沿,代表了英国最著名的设计师之一John Orama先生的经验,尽可能地将新旧结合在一起。样品准确,这是备受尊敬的John Oram提供的最好的高质量动力学处理器之一,多年来一直是许多行业专业人士的选择,包括传奇人物Al Schmitt。
The perfect combination: Combining two technologies to achieve superior results:
完美的结合:将两种技术相结合,以获得卓越的效果:
Opal Comp is designed to capture the essence of precision compressors/limiters, made in England and manufactured to the extremely high standards and durability of all Oram products, and is based on Sonicomp compressor technology. This precision limiter/compressor delivers the same vibrations as the famous “Oram Sonics Sonicomp 2” and enhances them using Acustica’s Hyper 3 technology.
Opal Comp旨在捕捉英国制造的精密压缩机/限制器的精髓,并以Sonicomp压缩机技术为基础,按照所有Oram产品的极高标准和耐用性制造。这款精密限制器/压缩机提供与著名的“Oram Sonics Soniccomp 2”相同的振动,并使用Acustica的Hyper 3技术增强振动。
The Opal Comp plugin, like its older brother – the hardware Oram Sonics Sonicomp 2, has a high-quality calibrated VU meter for level reduction and gain, a “hybrid” optical-solid-state design, a feed-forward compression mode and additional controls that provide maximum versatility of the plugin, and all this in a pleasant
Opal Comp插件和它的老兄弟——硬件Oram Sonics Soniccomp 2一样,有一个高质量的校准VU计,用于降低电平和增益,一个“混合”光学固态设计,一个前馈压缩模式和额外的控制,提供插件的最大多功能性,所有这些都在一个令人愉快的
pastel blue color, preserving the aesthetics of the original devices in the digital domain.
柔和的蓝色,在数字领域保留了原始设备的美学。
What does Opal Comp sound like?
Opal Comp听起来像什么?
It sounds just like Oram in a truly amazing way. The musicality of this device is truly amazing. It is characterized by a very smooth and quiet sound. The presence of hybrid compression makes the sound of the plugin truly unique. This magic is achieved thanks to a vintage-style optical system with a soft, round knee at the compression threshold and a solid-state stage with its ability to instantly handle peak control. When finer control is required (such as in final mixing), the optical control transparently manages peak overshoots, gently compressing the program midlevel to reduce dynamic range, ready for increased output gain. Meanwhile, a semiconductor stage capable of instantly taking control of the peaks.
这听起来就像Oram在一个真正惊人的方式。这台设备的音乐性真是太棒了。它的特点是声音非常平稳和安静。混合压缩的存在使插件的声音真正独特。这种魔力的实现要归功于一个复古风格的光学系统,该系统在压缩阈值处有一个柔软的圆形膝盖,以及一个能够立即处理峰值控制的固态舞台。当需要更精细的控制时(例如在最终混合中),光学控制透明地管理峰值过冲,轻轻地将程序压缩到中间水平以减小动态范围,为增加输出增益做好准备。同时,半导体级能够立即控制峰值。
About John Oram
关于John Oram
John Oram is a legendary name in the electronic music industry, whose work has been nominated for 23 Technical Excellence & Creativity Awards. His creative talents as a musician, producer, touring drummer, mixer and technical engineer have led him to collaborate with some of the most important bands and audio companies since the early ’60s, including the Beatles, Rolling Stones, Vox and Trident Audio. He was part of the Vox team that developed the Wah-Wah, The Fuzz Box and the Continental Organ, and also created the circuitry for the VOX AC50 and Super Beatle amplifiers.
约翰·奥兰是电子音乐界的传奇人物,他的作品已获得23项技术卓越与创意奖提名。自60年代初以来,他作为音乐家、制作人、巡回鼓手、混音师和技术工程师的创造性天赋使他与一些最重要的乐队和音频公司合作,包括披头士、滚石、Vox和三叉戟音频。他是Vox团队的一员,该团队开发了Wah Wah、Fuzz Box和Continental风琴,还为Vox AC50和Super Beatle放大器创建了电路。
请先安装框架程序-》》
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