Cinematic Studio Series – Cinematic Studio Strings v1.7 (KONTAKT)众多电影工作室综合乐器采样合成器

流云高飞

电影工作室字符串是一个充满字符的库。以澳大利亚顶级音乐家为特色，在世界级舞台上精心录制，CSS拥有出色的声音、令人惊叹的逼真动态和多种发音。凭借直观高效的GUI，CSS的创建是为了满足当今电影、电视和视频游戏行业作曲家的需求。这一杰出的康塔克和康塔克演奏家管弦乐器库现在以非常实惠的价格提供。

Cinematic Studio Strings is a library filled with character. Featuring top Australian musicians and meticulously recorded on a world class stage, CSS boasts great sound, stunning realistic dynamics and a wide variety of articulations. With an intuitive and efficient GUI, CSS was created to meet the needs of working composers in today’s film, television and video game industries. This outstanding library of orchestral strings for Kontakt and Kontakt Player is now available at a very affordable price.

New Marcato mode (including runs)

新的Marcato模式（包括运行）

The new improved “Marcato” articulation in CSS v1.7 is quite powerful. Its main purpose is to perform fast, energetic passages, ostinatos and runs. The vibrato is exaggerated, and the attack is accented, which means it excels at bombastic melodies, like the Star Wars theme for example.

CSS v1.7中新改进的“Marcato”发音功能非常强大。它的主要目的是表演快速、充满活力的乐段、ostinatos和跑步。颤音是夸张的，攻击是重音，这意味着它擅长于夸张的旋律，比如《星球大战》的主题。

However, since the legatos have been improved, it is also quite capable of playing less- accented, more varied phrases too – think of the violin parts early in the “Journey to the Island” cue from Jurassic Park. This is aided by the fact that you can also now trigger subtle portamento slides, so all in all, the new Marcato is a lot more versatile. I also added a 2 x round robin, which further enhances realism.

然而，由于连奏得到了改进，它也能演奏不那么重的、更丰富多彩的乐句——想想《侏罗纪公园》中的《岛之旅》中早期的小提琴部分。这得益于这样一个事实，即您现在还可以触发微妙的portamento幻灯片，因此，总而言之，新的Marcato功能更加丰富。我还添加了2 x循环，这进一步增强了真实感。

To play runs, simply play a fast passage in legato mode – it works especially well for scalic runs. You can add accents to individual notes within a run by triggering a note above a velocity of 75. This effect is subtle, but audible and useful in context, especially when you “change direction” during a run.

要播放跑步，只需在连奏模式下播放一段快速的乐段——它对scalic跑步特别有效。您可以在跑步过程中通过触发速度超过75的音符来为单个音符添加重音。这种效果很微妙，但在上下文中很有用，尤其是当您在跑步期间“改变方向”时。

Alternatively, to create a more obvious accent, try leaving a gap between the previous note and the note you wish to accent, effectively starting a “new” legato phrase with the accented note. In other words, if you play a 10-note run, and would like to accent the 5th note in the phrase, you’ll need to leave a small gap between the 4th and 5th notes. This would effectively “end” the legato phrase at the end of the 4th note, and then “begin” a new legato phrase starting with the 5th note. This means you’ll hear the attack portion of the Marcato sample, which in the context of a fast passage, essentially functions as a more pronounced accent.

或者，要创建更明显的重音，请尝试在前一个音符和您希望强调的音符之间留一个间隙，有效地用带重音的音符开始“新”连音短语。换言之，如果你演奏10个音符的音程，并且想强调短语中的第5个音符，你需要在第4个和第5个音之间留一个小间隙。这将有效地在第四个音符的末尾“结束”连音短语，然后从第五个音符开始“开始”新的连音短语。这意味着您将听到Marcato样本的攻击部分，在快速通道的上下文中，它基本上起到更明显的重音的作用。


Improved legato / “Low Latency” mode

改进的legato/低延迟模式

I spent a (very) long time re-editing all of the legato transition samples, not only to improve the timing, but also to ensure a more consistent volume envelope. This makes sequencing legato a breeze, and I also introduced a new “Low latency” mode, making it even easier to perform passages in real-time.

我花了（非常）长的时间重新编辑了所有的legato过渡示例，不仅是为了改进时间，而且是为了确保更一致的卷封套。这使得对连奏进行排序变得轻而易举，我还引入了一种新的“低延迟”模式，使得实时执行乐段更加容易。

Low latency mode has a legato delay of approximately 150ms (but don’t hold me to it), and replaces the outgoing “Standard” legato mode, which had a delay of 250ms, while the new “Expressive” mode has replaced the outgoing “Advanced” mode. Expressive mode is very similar to the former Advanced mode, and is mainly just a name change, but it is still improved since the legato transitions themselves have been improved. Personally, I recommend using the low latency mode for most work, as I’ve found that it hits the sweet spot of realism and playability. However, Expressive mode still very much has its place, especially for slower, more pastoral thematic material. Experimenting with both modes will make it pretty clear as to which mode will work better for any given passage.

低延迟模式的legato延迟约为150ms（但不要让我这么做），它取代了传出的“标准”legato模式，后者的延迟为250ms，而新的“表达”模式取代了传出“高级”模式。表达模式与以前的高级模式非常相似，主要只是名称上的更改，但由于连奏转换本身已经得到改进，因此仍有改进。就我个人而言，我建议在大多数工作中使用低延迟模式，因为我发现它达到了现实主义和可玩性的最佳点。然而，表达模式仍有其地位，特别是对于较慢、更田园化的主题材料。对这两种模式进行实验将非常清楚哪种模式对任何给定的段落都更有效。


Re-edited, re-timed short notes / RR reset

重新编辑、重新计时短音符/RR重置

The short notes in v1.7 are tighter and more consistent than they were previously. Similar to the re-timed legato transitions, these new short notes have also had their timing improved. This applies to all of the short note types in CSS – both bowed and plucked.

v1.7中的简短注释比以前更紧凑、更一致。与重新计时的连奏过渡类似，这些新的短音符的计时也有所改进。这适用于CSS中的所有短音符类型，包括弓形和弹拨。

We have also implemented a “round robin reset” function, which can be accessed via CC59. Setting this CC to a specific value (eg 4) prior to the start of a short note passage will ensure that the same RR sequence plays out every time you play that passage. You won’t need to use this most of the time, as any random RR sequence should always sound perfectly fine in any given passage. Yet, having said that, there are certainly times when it is preferable for a sequence to sound exactly the same every time you play it (or export / render your piece), and that’s when this function comes in handy.

我们还实现了“循环复位”功能，可通过CC59访问。在短音符段开始之前，将此CC设置为特定值（如4），将确保每次播放该段时播放相同的RR序列。大多数时候你不需要使用这个，因为任何随机RR序列在任何给定的段落中都应该听起来非常好。然而，尽管如此，在某些情况下，每次播放（或导出/渲染您的作品）时，序列的声音都应该完全相同，这正是该功能派上用场的时候。

Improved mix / Separated spot mics

改进的混合/分离点话筒

Improving the sound of CSS was another important aspect of the new version. My aim was to bring out more of the room-depth, as I felt this wasn’t as prominent in the previous mix. This means the new mix is more “roomy”, yet at the same time there’s also more clarity and detail in the close mics. So it’s the best of both worlds, really. This will become more obvious when applied in the brass library update, but for now the strings sound wider and more lush.

改进CSS的声音是新版本的另一个重要方面。我的目标是展现更多的房间深度，因为我觉得这在之前的组合中没有那么突出。这意味着新组合更加“宽敞”，同时，近距离话筒也更加清晰和细节。所以这是两个世界中最好的，真的。当应用到brass库更新中时，这将变得更加明显，但现在，字符串听起来更宽，更华丽。

I also separated the spot mics so they are both now independently controllable, instead of being mixed together as they were in the previous version. This means you can effectively narrow or widen the sound of each section by playing around with the panning, or you can even do

我还分离了点麦克风，因此它们现在都可以独立控制，而不是像前一版本中那样混合在一起。这意味着您可以通过使用平移来有效地缩小或扩大每个部分的声音，或者您甚至可以这样做

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