作为一名计算机科学家和音乐家,我喜欢设计DSP算法和插件概念。我很高兴与其他人分享我的努力,而不必担心商业利益。在我的每一个特效中,都有一个特殊的技术设计、工作流程或概念组合,我在现有的工具中找不到。如今,许多开发人员只是坚持旧的概念,但你永远不会看到我对现有设备的直接复制。我总是添加一些创新,或者找到一种发展的方式,并将其提升到一个新的水平。
As a computer scientist and musician, I’m enjoying designing DSP algorithms and plug-in concepts. It’s a pleasure for me to share my efforts with other people without having to worry about commercial interests. In each of my effects there is a special technical design, workflow or concept combination I haven’t found in existing tools. Many developers these days just stick to old concepts, but you will never see a straight copy of existing gear from me. I always add some innovation, or find a way to evolve and take it to a new level.
BaxterEQ – transparent mastering and mix buss shelving EQ
The BaxterEQ is an incredible smooth shelving EQ.
BootEQ mkII – Musical sounding mixing EQ
Density mkIII – Smooth and versatile bus compressor
Density mkII was primarily designed to work in a typical stereo audio group mixing situation or for summing and to glue all things together in an unobtrusive way. Density mkII主要设计用于典型的立体声音频组混音情况,或用于求和,并以不显眼的方式将所有内容粘合在一起。
epicVerb – Digital reverberation simulator
The “epicVerb” reverberation device aims at both: Tight small room and ambience effect simulation well suited to modern drum and vocal productions up to large “epic” halls as known from high quality outboard gear.
“epicVerb”混响装置的目标是:紧凑的小房间和环境效果模拟,非常适合现代鼓和声乐作品,以及大型“epic”大厅,因为其高品质的舷外齿轮而闻名。
FerricTDS mkII – Tape dynamics simulator This device simulates some dynamic effects as can be obtained with some high quality tape gear. 该设备模拟了一些高质量磁带齿轮可以获得的动态效果。
FlavourMTC - Mixbus Tone Control
FlavourMTC follows classic “passive” equalizer designs where the EQ circuits itself are not able to amplify signals but a dedicated amplifier stage takes care of it. Those EQ designs are well known for allowing very transparent frequency changes while their amplifier designs do add some icing on the cake quite often. FlavourMTC遵循经典的“无源”均衡器设计,其中EQ电路本身不能放大信号,但有一个专用的放大器级来处理。这些EQ设计以允许非常透明的频率变化而闻名,而它们的放大器设计常常会给蛋糕上锦上添花。
NastyDLA mkII – A classic chorus echo device with tape-delay simulation
classic chorus and echo effects, authentic signal path coloration, tape-delay style feedback and saturation 经典的合唱和回声效果、真实的信号路径着色、磁带延迟式反馈和饱和
NastyVCS – Virtual console strip
]Built around an entirely new opto-electric style compression unit, NastyVCS offers everything you need to shape your channels dynamics and tone. It offers a dedicated input stage featuring crunchy pre-amp saturation and a brickwall safety limiter in the output stage. Everything is set up to work in zero latency and so be available for hassle free tracking and mixing.
]NastyVCS围绕全新的光电式压缩单元构建,为您提供塑造通道动态和音调所需的一切。它提供了一个专用的输入级,具有脆脆的前置放大器饱和和输出级的砖墙安全限制器。一切都已设置为零延迟工作,因此可以进行无障碍的跟踪和混合。
preFIX – getting those alignments done
preFIX is a pre-mixing and audio alignment tool which typically takes place upfront the mixing process. It provides a clever tool set to clean-up, fix and align audio tracks (typically taken from recordings) concerning overall frequency correction, phase alignment, spatial stereo field corrections and routing. It contains a complete gate/expander solution with a dedicated and comprehensive sidechain filtering path as well.
preFIX是一种预混音和音频对齐工具,通常在混音过程之前进行。它提供了一个聪明的工具集,用于清理、修复和对齐音频曲目(通常取自录音),涉及整体频率校正、相位校准、空间立体场校正和布线。它包含一个完整的闸门/扩展器解决方案,以及一个专用和全面的侧链过滤路径。
TesslaSE mkII – All the analog goodness in subtle doses
TesslaSE never meant to be a distortion box but rather focuses on bringing all those subtle saturation and widening (side-) effects from the analog right into the digital domain. It sligthly colors the sound, polishes transients and creates depth and dimension in the stereo field. It’s a mixing effect intended to be used here and there where the mix demands it. TesslaSE从未打算成为一个失真盒,而是专注于将所有这些细微的饱和和加宽(副作用)效果从模拟引入数字领域。它轻轻地给声音上色,打磨瞬间,在立体领域创造深度和维度。这是一种混合效果,可以在需要混合的地方随处使用。
ThrillseekerXTC mkII – bringing mojo back
It’s a contemporary exciter build around a true parallel analog style equalizer design. Thrillseeker XTC is all about adding weight, vibe and attitude back to the sound. It delivers all the character of an analog signal path and provides what digital processing usually is hard pushed to, including a rich low-end experience and that vibrant ‘expensive’ top-end.
这是一款基于真正并行模拟式均衡器设计的当代激励器。寻求刺激者XTC旨在为声音增加重量、氛围和态度。它提供了模拟信号路径的所有特性,并提供了通常难以实现的数字处理,包括丰富的低端体验和充满活力的“昂贵”高端。

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