WaveTracing SP950 v. 1.3.0 ADC、DAC和失谐的精确仿真 WiN VST3 [MOCHA]失真效果器插件 伟斯特音效

流云高飞

SP的12位26.04kHz ADC、DAC和失谐的精确仿真。带有强制混叠伪影的刺耳声音。

Accurate emulation of the SP's 12-bit 26.04kHz ADC, DAC and detune. Gritty sound with mandatory aliasing artifacts.

Features
特征


SP sound for E-mu SP-1200 lovers *

适用于E-mu SP-1200爱好者的SP声音*

Akai S950 filter emulation *

Akai S950过滤器仿真*

Combined RPM/detune slider

组合RPM/失谐滑块

Actual pitch remains unchanged

实际螺距保持不变

HiDPI / Retina support, resizable UI

HiDPI/Rina支持，可调整UI大小

No hassle registration (serial)

无障碍注册（串行）

Free updates

免费更新

VST3 / AU effect plugin

VST3/AU效果插件

Windows/Mac with native M1/M2 support

具有本机M1/M2支持的Windows/Mac


The sound

声音


Accurate emulation of the SP's 12-bit 26.04kHz ADC, DAC and detune. Gritty sound with mandatory aliasing artifacts.

SP的12位26.04kHz ADC、DAC和失谐的精确仿真。带有强制混叠伪影的刺耳声音。



Detune

取消调谐


If you are familiar with the E-mu SP-1200* workflow, you know the way the device is typically used is with a pitched-up source such as a turntable playing a LP record at 45RPM or 78RPM, and a detune after sampling in the SP-1200* to get back to the original pitch and duration. This was initially done to save sampling time, but the resulting artifacts soon became the signature of the device, and of whole musical trend.

如果您熟悉E-mu SP-1200*工作流程，您知道该设备通常使用的方式是调高的源，例如以45RPM或78RPM播放LP记录的转盘，以及在SP-1200*中采样后的失谐，以恢复原始音调和持续时间。最初这样做是为了节省采样时间，但由此产生的人工制品很快成为该设备和整个音乐趋势的标志。


This is exactly what the SP950 effect plugin intends to reproduce in a single slider: the RPM/detune slider combines the pitch of the source (markings on the left side, in RPM relative to 33 and in factors) with the detune of the SP (semitons value on the LCD) to compensate each other. The result is a constant duration and pitch output, with varying detune aliasing and bandwidth artifacts.

这正是SP950效果插件想要在单个滑块中再现的：RPM/去调谐滑块将源的音调（左侧的标记，相对于33的RPM和因数）与SP的去调谐（LCD上的半音值）相结合，以相互补偿。结果是恒定的持续时间和音调输出，具有不同的失谐混叠和带宽伪影。


Please note: actual pitch remains unchanged.

请注意：实际间距保持不变。

ext. switch extends the detune range from -15 semitons to -30 semitons

ext.switch将失谐范围从-15个半音扩展到-30个半音

fine switch changes detune steps from semitons to tenths of semitons

精细开关将失谐步数从半音变为十分之一半音


Filter

滤器


Another well-known workflow is the combination of the SP and an Akai* S950 low-pass filter to isolate a bass line. The digitally-controlled analog 6th-order Butterworth low-pass filter of the Akai* S950 is reproduced here for that purpose, as well as the possibility to mitigate some high-frequency detune artifacts.

另一个众所周知的工作流程是SP和Akai*S950低通滤波器的组合，以隔离低音线。Akai*S950的数字控制模拟6阶Butterworth低通滤波器在此进行了再现，并有可能减轻一些高频失谐伪影。

The filter can be set from 0 to 99 like in the original S950. The filter is defeated when set to 99 (bypass).

滤波器可以像原始S950中那样从0设置到99。当设置为99（旁通）时，过滤器失效。


Gain

获得


Gain in and gain out can be set from -12dB to +12dB, in 0.1dB increments. This can be used to adjust levels based on a given correction, but can can also used to either clip the input section, or keep some margin to increase noise.

增益输入和增益输出可以从-12dB设置为+12dB，增量为0.1dB。这可以用于基于给定的校正来调整电平，但也可以用于剪辑输入部分，或保留一些余量以增加噪声。

link switch maintains a constant total gain when modifying gain in

当修改增益时，链路开关保持恒定的总增益

Total gain can still be modified while link is active by modifying gain out

当链路激活时，仍可通过修改增益输出来修改总增益

Total gain is maintained within each gain knob limits (eg +24dB can not be maintained when gain in is lowered)

总增益保持在每个增益旋钮限值内（例如，增益降低时不能保持+24dB）


Signal Routing

信号路由


The routing section located in the plugin's header operates on the signal flow.

位于插件头部的路由部分对信号流进行操作。

In addition to dry/wet and bypass functions, a layout selection menu let you define the way the input signal is converted and processed, to wit (click to enlarge):

除了干/湿和旁路功能外，布局选择菜单允许您定义输入信号的转换和处理方式，即（单击放大）：

WaveTracing SP950 v. 1.3.0 WiN VST3 [MOCHA] screenshotLayout selection has no impact on mono signals, except for the Stereo Side option which is equivalent to a bypass in this case

WaveTracing SP950 v.1.3.0 WiN VST3[MOCHA]屏幕截图布局选择对单声道信号没有影响，但立体声侧选项除外，在这种情况下，该选项相当于旁路

The Stereo L/R/Mid/Side layout options only affect one component of the signal leaving the other untouched. You can choose to chain a second instances of the plugin to process the complementary component with a different set of parameters

立体声L/R/Mid/Side布局选项仅影响信号的一个分量，而不影响另一个分量。您可以选择链接插件的第二个实例，以使用不同的参数集处理互补组件

The wet/dry knob is positionned after the layout selection in the signal flow, so the dry signal is also affected in case of a mono conversion

湿/干旋钮在信号流中的布局选择后定位，因此在单声道转换的情况下，干信号也会受到影响

bypass button is equivalent to 0% wet

旁通按钮相当于0%湿


Interface

界面


The minimalist interface is fully compatible with HiDPI/Retina displays for crisp rendering. It can be resized (zoomed in or out) unsing the menu in the upper right corner. The LCD color scheme can be chosen among 6 presets using the small button on the right of the LCD.

极简的界面与HiDPI/Rina显示器完全兼容，呈现清晰。它可以调整大小（放大或缩小）而不影响右上角的菜单。可以使用LCD右侧的小按钮在6个预设中选择LCD颜色方案。


Zoom selection affects all instances of the plugin on a given machine and is automatically reflected on running instances

缩放选择会影响给定计算机上插件的所有实例，并自动反映在正在运行的实例上


Beside aesthetic considerations, LCD color selection can be used as a visual clue to differentiate multiple plugin instances inside a project

除了美观方面的考虑，LCD颜色选择可以作为区分项目中多个插件实例的视觉线索


Ableton users running a HiDPI display on Windows might want to unselect the "Auto-Scale Plug-In Window" option in Ableton's right-click menu to get a crisp rendering

在Windows上运行HiDPI显示的Ableton用户可能希望取消选择Ableton右键菜单中的“自动缩放插件窗口”选项，以获得清晰的渲染

meiya

Synthi–Synthi V充分体现了独特的模拟合成器的精神