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MJUC is a VST (Virtual Studio Technology) compressor plugin for Windows. Klanghelm MJUC variable-tube compressor runs as a VST plugin, VST3 plugin and an AAX plugin. MJUC variable-tube compressor VST plugin can be used with all major digital audio workstations (DAW) including Live, Logic, Cubase, Pro Tools and others.
MJUC是一个用于Windows的VST(虚拟演播室技术)压缩插件。Klanghelm MJUC可变管压缩机作为VST插件、VST3插件和AAX插件运行。MJUC可变管压缩机VST插件可用于所有主要的数字音频工作站(DAW),包括Live、Logic、Cubase、Pro工具等。
MJUC is that the most effortful Klanghelm plugin so far . It took almost two years of in depth , dare I say “excessive”, research and development. to make MJUC I’ve researched and analyzed each and each variable-mu* implementation I could get my hands on to urge the simplest of tube compression into one processor. so as to try to to the range of this compression topology justice, three different models are built. These are quite a time travel though the history of tube compression to capture the essence of every generation. Each model has its own dedicated signal path and dedicated control set. If desired you’ll tweak the general tone and saturation of every model with the unique TIMBRE and therefore the DRIVE control. DRIVE controls the load of the input and output transformers because the saturation of the tube gain stages, if applicable. The TIMBRE extends MJUC’s use as a tone shaping device.
MJUC是迄今为止最容易使用的Klanghelm插件。它花了近两年的时间进行深入研究,我敢说是“过度”,研发。为了制作MJUC,我研究和分析了每一个变量mu*的实现,我可以亲自动手将最简单的管压缩到一个处理器中。为了尽可能的缩小这种压缩拓扑的公平范围,建立了三种不同的模型。这些是相当长的时间旅行,虽然管压缩的历史,以捕捉每一代人的本质。每个模型都有自己的专用信号路径和专用控制集。如果需要的话,你可以用独特的音色来调整每个模型的色调和饱和度,从而调整驱动控制。驱动器控制输入和输出变压器的负载,因为管增益级的饱和(如果适用)。音色扩展了MJUC作为音色整形设备的用途。
MJUC is that the first Klanghelm plugin, that’s built with the assistance of a replacement framework. That’s brings tons of latest usability features like GUI-resizing, AB-ing and a feature-rich platform independent preset browser with save/copy/paste/save-as-default functionality. Furthermore it’s possible to tweak the knob behavior, enable tooltips, show/hide value labels and more. of these features will find their thanks to the prevailing Klanghelm plugin as soon as possible.
MJUC是第一个Klanghelm插件,它是在替换框架的帮助下构建的。这带来了大量最新的可用性特性,比如GUI调整大小、AB-ing和一个功能丰富的独立于平台的预设浏览器,该浏览器具有save/copy/paste/save as默认功能。此外,还可以调整旋钮行为、启用工具提示、显示/隐藏值标签等。这些功能中的一个将尽快找到他们的流行Klanghelm插件的感谢。
mjuc models
mjuc模型
mjuc model mk1
mjuc mk1型
MJUC Model Mk1 is predicated on the very early variable-mu* designs from the 50s. thanks to its extremely high control voltage it doesn’t impart any audible “thumping”, most other variable-mu* designs suffer from at high GR and fast timing constants. Also it’s a really simple signal path, where the compression happens directly within the audio path. The result’s a really natural compression character with little or no distortion. The arrangement of four(!) variable-mu* stages increase the incredibly dense and thick nature of Mk1. Mk1 is that the most colored of MJUC’s models.
MJUC Mk1型基于50年代早期的可变mu*设计。由于其极高的控制电压,它不会发出任何可听见的“砰砰”声,大多数其他可变mu*设计都受到高GR和快速计时常数的影响。它也是一个非常简单的信号路径,压缩直接发生在音频路径中。结果是一个真正自然的压缩字符很少或没有失真。四的排列(!)可变的mu*阶段增加了Mk1难以置信的密度和厚度。Mk1是MJUC最彩色的型号。
mjuc model mk2
mjuc mk2型
Model Mk2 is made upon the more complex designs of the 175 and 176 from the first 1960s, the all-tube-predecessors of the classic 1176 FET compressor. It offers four ratios, a density switch, that permits a second variable-mu* stage and reduces the program dependence of the attack and recovery timings to a minimum. Furthermore, it allows you to activate the interstage transformer to scale back overall noise and distortion and making the compression more accentuated. Compared to Mk1 the second model is a smaller amount Jazz and more Rock’n’Roll with enhanced generated harmonics and a more forward sounding character.
Mk2型是基于更复杂的设计175和176从第一个1960年代,全管前身的经典1176场效应晶体管压缩机。它提供了四个比率,一个密度开关,允许第二个可变mu*阶段,并将攻击和恢复时间的程序依赖性降至最低。此外,它允许您激活级间变压器,以缩小整体噪声和失真,使压缩更加突出。与Mk1相比,第二种模式是一种数量较少的爵士乐和更多的摇滚乐与增强产生的谐波和更向前听起来的特点。
mjuc model mk3
mjuc mk3型
Model Mk3 is that the least colored and most Hi-Fi-sounding model in MJUC. it’s Klanghelm’s modern interpretation of this compression topology. the sole design idea derived from another modern famous variable-mu* comp is, that it’s circuitry is completed entirely differential, making the unit very quiet and almost distortion-free. But the important special thing about this model is, that the particular compression is completed by two different variable-mu* stages, which type of labor against one another , one works feedforward, while the opposite during a feedback configuration. This leads to a attack accentuating, punchy compression, surprisingly closer to a British G type bus comp than to a 670.
Mk3是MJUC中色彩最少
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