Adam Monroe Music Slap Bass VST AU AAX v2.2 MAC/WiN

流云高飞

MAC AU x86 x64-3,19 GB | MAC VST x86 x64-3,19 GB | MAC AAX-3,19 GB

WiN VST x86 x64 - 3,18 GB | WiN AAX - 3,18 GB

WiN VST x86 x64-3,18 GB | WiN AAX-3,18 GB



Adam Monroe's Slap Bass was sampled from a Fender Jazz electric bass guitar with Carvin J99 pickups and GHS Boomers bass strings, directly into a Radial Pro48 DI Box and an AMPEG Micro VR SVT AMP. An extended range was obtained by tuning the E-string down to a D.

亚当门罗的巴掌低音采样从挡泥板爵士乐电低音吉他与卡文J99皮卡和GHS婴儿潮一代低音弦乐，直接进入一个径向Pro48 DI盒和AMPEG微型虚拟现实高级音频放大器。通过将E串调谐到D来获得扩展范围。



"Slap" and "pop" articulations were carefully and meticulously recorded for each note, although in the extreme upper range of the bass, do to tension of the string, slap notes starts to become indistinguishable from pop articulations. The user can blend between Amp and DI sounds. The AMP channel is slightly brighter/edgier well the DI channel provides more of a mellow slap bass sound.

“啪啪”和“啪啪”的发音被仔细和细致地记录在每个音符上，尽管在低音的最高音域，由于弦的张力，啪啪的音符开始和啪啪的发音无法区分。用户可以混合放大器和DI的声音。放大器通道稍微明亮/前卫，DI通道提供更圆润的巴掌低音。



the plugin features 10 velocity layers at 4 note round-robin, and the dynamic range is between -15 db and -1 db, as bass guitars are typically compressed signals that end up somewhat level in modern recordings. For D and G string notes, pop articulations can be triggered at higher velocities with slap articulations being triggered at lower velocities. Alternate articulations are omitted, and thus the plugin only features a slap bass sound - this was done to preserve space and quality - the older version of Adam Monroe's Slap Bass featured pick articulations but with less velocity layers and channels.

该插件具有10个速度层在4个音符的循环，动态范围是-15分贝和-1分贝之间，因为低音吉他是典型的压缩信号，最终在现代录音有点水平。对于D和G弦音符，弹出式发音可以在较高的速度下触发，而拍击式发音可以在较低的速度下触发。替代的发音被省略，因此插件只有一个巴掌低音的声音-这是为了保持空间和质量-老版本的亚当门罗的巴掌低音特色挑发音，但速度层和渠道。



Bass strings were periodically cleaned with denatured alcohol, as the metallic Boomer sound tends to darken quickly. Pains were taken to ensure that the transition in tone between strings was minimized by selecting the best places to start sampling a new string.

低音弦定期用变性酒精清洗，因为金属的声音会很快变暗。通过选择最合适的地方开始对一个新的字符串进行采样，我们煞费苦心地确保字符串之间的音调转换最小化。



Slides were recorded for most strings, but were omitted for things like open strings, or when sliding down or up would overshoot standard tuning. Major and minor thirds were chosen for the sake of usability. Slides were recorded at a tempo of 120 BPM.

大多数弦都录制了幻灯片，但对于像开放弦之类的东西，或者当向下或向上滑动会超出标准调谐时，幻灯片就被省略了。主要和次要三分之一的选择是为了可用性。以120 BPM的速度记录幻灯片。




The Kontakt version of Adam Monroe's Slap Bass is depreciated (1.13.2020). The VST, AU, and AAX versions are programmed entirely by AdamMonroeMusic. The goal in any sample library that is also a VSTi (virtual instrument), Audio Unit, or AAX plugin is to attempt to match the performance of the Kontakt Player. With this library, we feel we have done just that.

亚当·门罗（Adam Monroe）的巴掌贝斯（Slap Bass）的Kontakt版本被贬值（1.13.2020）。VST、AU和AAX版本完全由adamusic编程。任何示例库中的目标也是VSTi（虚拟仪器）、音频单元或AAX插件，都是尝试匹配Kontakt播放器的性能。有了这个图书馆，我们觉得我们已经做到了。

The VST, AU, and AAX versions include updated, high-performance algorithms that have been improving with each new virtual instrument released by Adam Monroe Music. For example, the buffering algorithm is double-buffered and multithreaded, which means that buffering performance is fast, even on slower computers, and at lower latencies. Voices are held and iterated over in a pure, C-Style array. Memory use is comparable to the (depreciated) Kontakt version. Because of the solid VST/AU/AAX code base, you can feel confident that the VST, AU, and AAX versions will work just as well as the (depreciated) Kontakt version. Mac VST, AU, and AAX versions are separate 32-64 builds (with Catalina), and the the Carbon GUI framework has been replaced with Cocoa, compatible with OSX 10.9 and later.

VST、AU和AAX版本包括更新的高性能算法，这些算法随着Adam Monroe Music发布的每个新虚拟乐器而不断改进。例如，缓冲算法是双缓冲和多线程的，这意味着即使在速度较慢的计算机上，缓冲性能也很快，并且延迟较低。声音被保存并在一个纯粹的，C风格的数组中迭代。内存使用与（折旧后的）Kontakt版本相当。由于VST/AU/AAX的代码基础非常坚实，因此您可以确信VST、AU和AAX版本的工作效果与（已折旧的）Kontakt版本一样好。macvst、AU和AAX版本是独立的32-64版本（使用Catalina），carbongui框架已经被Cocoa取代，与osx10.9和更高版本兼容。



This library now includes sample rate conversion for the VST, AU, and AAX versions. Sample rate conversion is automatic, real-time, and supports 44.1, 48, 88.2, and 96 kHz sample rates. Why develop native VST, Audio Unit, or AAX versions at all? Although a great piece of software, the full version of Kontakt (required to run 3rd party sample libraries) is expensive. Developing VST, AU, and AAX versions that anyone can use does not add significant time to the development of a Slap Bass library - most of the time is spent sampling and processing the samples - so it's a real no-brainer.

这个库现在包括VST、AU和AAX版本的采样率转换。采样率转换是自动、实时的，支持44.1、48、88.2和96 kHz采样率。为什么要开发本地VST、音频单元或AAX版本？虽然Kontakt是一个非常棒的软件，但是完整版本的Kontakt（运行第三方示例库所必需的）非常昂贵。开发任何人都可以使用的VST、AU和AAX版本并不会给Slap Bass库的开发增加大量的时间—大部分时间都花在采样和处理样本上—所以这是一个真正的无需思考的过程。



Audio engineering is a large part of creating a VST/AU/AAX plugin, but the sound of this slap bass has barely been processed. Slight eq tweaks were done here and there, mostly so that the instrument would have a similar sonic footprint note-to-note. Some noise was removed to level out some of the "hotness" associated with bass guitar circuitry and pickups.

音频工程是创建VST/AU/AAX插件的一个重要部分，但是这个巴掌低音的声音几乎没有被处理过。轻微的情商调整是在这里和那里进行的，主要是为了使仪器将有一个类似的声音足迹注意到。一些噪音被删除，以消除一些“热”与低音吉他电路和皮卡。

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