The Passive-Active Pack is a collection of three very different equalizers, each with its own character and quirks. The Passive and Active equalizers emulate real workhorse units, used on thousands of recordings from past to present. The Focusing Equalizer combines these with analog sounding saturation and a novel workflow. This collection includes three highly useable equalizer models that are unique to Softube. Here’s a brief overview, read more on their respective product pages.
Passive Equalizer is modeled from a famous German passive three-band equalizer, and features a wide bandwidth and an unsurpassed clear and open sound. The low boost gives you a warm low end, perfect to fatten up a bass drum or bass guitar track. Cutting the highs gives you a very gentle 6 dB cut which allows you to remove highs in a very musical way. The high boost is open and crisp and breathes life into any track.
Active Equalizer is modeled from an active equalizer design made somewhere in the Swiss alps in the seventies. Whereas the Passive Equalizer is wide, clear and unintrusive, the Active Equalizer is more of a surgeon with a tight and focused sound. It’s a highly useful problem solver when you need to get into details.
Focusing Equalizer is an inspiring and untraditional take on the EQ concept, which is all made up by Softube. The Focusing Equalizer works in a very musical way and does a lot of thinking for you.
At first glance it may seem like you’re sacrificing versatility by using an equalizer with a limited set of options – why use a three-band equalizer when you can use your digital equalizer with umpteen bands, continous gain, selectable Q and different curves all built in? Well, equalization is all about sound design. Having an equalizer where the designer has already made some of the choices four you is like having an experienced sound engineer helping out and giving you directions.
Passive Equalizer in short:
- Three bands with an extremely wide and open sound
- Excellent treble control without any “digital harshness”
- Warm low end and a sparkling top
Active Equalizer in short:
- Tight and focused sounding filters
- Low and High cut
- Three parametric bands with selectable gain in 2dB steps (-/+ 16 dB), selectable frequency with overlapping, but non-interfering, bands (50-500 Hz, 380Hz-3.8kHz, 1.8-18kHz) and a choice between a narrow or wide peak (Q) for each band.
Features Focusing Equalizer in short:
- Inspiring, untraditional and very useful workflow
- Choose between Passive or Active EQ character
- Three-band EQ that automatically and musically changes with Low and High Cut
- Built-in one knob saturation with metering and selectable saturation type
被动主动包是一个收集三个非常不同的均衡器，每个都有自己的性格和怪癖。无源和有源均衡器模仿真正的主力机组，用于从过去的记录成千上万目前。聚焦均衡器结合模拟探空饱和度和一种新的工作流。这个系列包括三个高度可用的均衡模型是唯一的Softube。这里是一个简短的概述，了解各自的产品页面。 无源均衡器是由德国著名的被动的三波段均衡器建模，并具有较宽的带宽和一个无与伦比的清晰和开放的声音。低刺激给你一个温暖的低端，完美的催肥低音鼓和低音吉他的轨道。切割来给你一个非常温和的6分贝的减少允许你删除在一个音乐的方式高点。高提升是开放的，脆脆的，呼吸的生活融入任何轨道。 有源均衡器从有源均衡器的设计使得在瑞士的阿尔卑斯山，在七十年代建模。而被动的均衡器是广泛的，明确的和非侵入性的，有源均衡器是一个外科医生用紧聚焦声。这是一个非常有用的解决问题时，你需要进入细节。 聚焦均衡器是一个鼓舞人心的和非传统的对情商的概念，这是由Softube。聚焦均衡器的作品在一个非常音乐的方式，做了大量的想着你。 乍一看，它可能看起来像你牺牲灵活性，使用均衡器与一组有限的选项–为什么使用一三波段均衡器时，你可以使用与无数的乐队，你的数字均衡器的连续增益，可选择不同的曲线Q和建造的？嗯，均衡是所有关于声音设计。有一个均衡器，设计师已经有了一些选择四你就像是拥有一个经验丰富的音响工程师帮助并向你的方向。 总之无源均衡器： 三条极其广泛和开放的声音 出色的高音控制没有任何“数字严厉” 温暖的低端和闪闪发光的顶部 总之有源均衡器： 紧聚焦探测过滤器 低和高剪切 三参数化条带在2dB步骤可选增益（- / + 16分贝），重叠的可选的频率，但不干扰，带（50-500赫兹，380hz-3.8khz，1.8-18khz）和窄或宽峰之间的选择（Q）每个乐队。 具有短聚焦均衡器： 鼓舞人心的，非传统的和非常有用的工作流 -无源或有源EQ性格之间的选择 三波段均衡器，具有低和高的自动切割和音乐的变化 建在一个旋钮饱和度计量和可选的饱和型
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