Softube Marshall Plexi Super Lead 1959 v2.5.9 完整版马歇尔放大器vst.vst3.aax.win32.win64

流云高飞 · 发表于 2022-6-9 20:00:00

在摇滚乐史上，也许没有比1959年马歇尔·普莱西超级领头羊更重要的放大器了。我们将马歇尔自己的博物馆作品Plexi（1967年的一个原始模型）置于极其谨慎的安全和监督下，并对每个组件进行建模，以生成可想象的最具纹理、最详细的软件版本。在任何设置下，它的响应都与硬件完全一样，而且它对你的演奏风格非常敏感，你简直不敢相信。

There is perhaps no other amplifier more vital to the history of rock & roll than the Marshall Plexi Super Lead 1959. We took Marshall’s own museum-piece Plexi (a pristine model from 1967) under extremely careful security and supervision, and modeled each and every component to produce the most textured, detailed software version imaginable. At any setting it responds exactly like the hardware, and it’s sensitive to your playing style like you wouldn’t believe.

Extreme sound quality and authenticity
极致音质和真实性

Component-modeled for the most accurate possible recreation of Marshall's own reference unit.

为最准确地再现马歇尔自己的参考单元而建模的组件。

AC/DC's own engineer

交直流工程师

Cabinet responses recorded at Kore Studio, London, with mic selections and positions by AC/DC engineer Tony Platt (Highway to Hell, Back in Black).

在伦敦Kore Studio录制的内阁回应，以及交流/直流工程师托尼·普拉特（Tony Platt）的话筒选择和位置（The Highway to Hell，Back in Black）。

The guitar hero's choice

吉他英雄的选择

Angus Young, Jimmy Page, Graham Coxon, Johnny Ramone, John Frusciante, Slash, Pete Townshend, Eric Clapton, Jimi Hendrix – they all used a Plexi Super Lead.

安格斯·杨、吉米·佩奇、格雷厄姆·科克森、约翰尼·拉蒙、约翰·弗鲁西安特、斯莱什、皮特·汤森、埃里克·克莱普顿、吉米·亨德里克斯——他们都使用了Plexi超级领先优势。

The history of Rock & Roll

摇滚历史

The Plexi’s design was essentially commissioned by Pete Townshend of The Who, looking for more power, volume, and grunt as true high-voltage rock began to explode in the mid ’60s. Eric Clapton traded in his ‘Bluesbreaker’ combo for a Super Lead when he founded Cream in 1966. Jimi Hendrix, for goodness sake, played a Super Lead at Woodstock. Need we say more?

Plexi的设计基本上是由世卫组织的皮特·汤森（PeteTownshend）委托进行的，随着真正的高压岩石在60年代中期开始爆炸，它寻求更多的功率、体积和呼噜声。埃里克·克莱普顿（EricClapton）在1966年创立Cream时，以他的“蓝军”组合获得了超级领先。吉米·亨德里克斯（JimiHendrix），看在上帝的份上，在伍德斯托克（Woodstock）打出了一个超级领先。我们需要说更多吗？

The first Marshall full stack was created for the Plexi. Initially the super-powerful, 100 watt amp was paired with a huge 8x12 speaker cabinet, but soon the preference shifted to two 4x12s, one straight and one angled. It’s hard to overstate how much of a cornerstone this amp is. Rock simply wouldn’t look or sound the same without it.

第一个马歇尔完整堆栈是为Plexi创建的。最初，超级强大的100瓦放大器与一个巨大的8x12扬声器柜配套使用，但很快，人们的首选转向了两个4x12，一个是直的，一个是斜的。很难夸大这个放大器是多么重要的基石。没有它，摇滚乐看起来或听起来都不一样。

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