Higher Hz HZ Delay 1.0数字延迟效果器插件 VST VST3 AAX AUWiN/MAC

流云高飞 · 发表于 2022-5-28 11:00:00

HZ延迟是一种字符效应，这意味着它并不能平等地完成所有事情。事实上，它故意做一些奇怪的事情，或者根本不做，以使它具有在较旧的模拟设备中所追求的那种特性。

HZ Delay is a character effect which means that it doesn’t do all things equally. Matter of fact it deliberately does some things oddly or not at all to allow it to have the sort of character so sought after in older analog gear.
The sorts of effects or outcomes HZ Delay will help you to achieve are:

HZ延迟将帮助您实现的影响或结果有：
Saturation

饱和

Chorus – simple and BBD

合唱-简单和BBD

Echo – simple and multi-tap

Echo–简单多点

Reverb – simple early reflections

混响–简单的早期反射

The idea is that commonly you will be balancing some or all of the above as you use HZ Delay to add depth & sparkle to any (or all) of the sounds in your mix. Maybe not the Masters but where there is a will, there is a way.

这样做的目的是，当你使用HZ延迟为混音中的任何（或全部）声音添加深度和闪光时，通常你会平衡上述部分或全部。也许不是大师，但有志者事竟成。

Signal flow

信号流，信号流

It is worth understanding the signal flow as not everything moves in a straight line all the time.

有必要了解信号流，因为并非所有的东西都在直线上移动。

Signal arrives in the unit via a drive that will add soft distortion to the whole signal. This includes the dry signal as well. This means that HZ Delay can actually be used as a saturation unit with no other features. The reason that it is done this way is that when the driven signal is mixed with the driven+effected signal, the results are far more interesting.

信号通过驱动器到达装置，该驱动器将给整个信号增加软失真。这也包括干信号。这意味着HZ延迟实际上可以用作饱和单元，没有其他特性。这样做的原因是，当驱动信号与受驱动+影响的信号混合时，结果要有趣得多。

Signal is on a Bus that initially is sent to the Delay 1+2 which is a stereo pair hard-panned left & right. These delays can be set to very short, short, and long ranges. The first setting is for chorus, the second for reverb, third for longer echoes.

信号位于总线上，最初发送至延迟1+2，延迟1+2是一对左右硬平移立体声对。这些延迟可以设置为极短、短和长范围。第一种设置用于合唱，第二种设置用于混响，第三种设置用于更长的回声。

Delay 3 can be fed a mix of the initial driven signal and the Delay 1+2 signal. Delay 3 is always set to a full time range which means that it can be longer than Delay 4+4I.

延迟3可以提供初始驱动信号和延迟1+2信号的混合。延迟3始终设置为全时间范围，这意味着它可以长于延迟4+4I。

Delay 4+4i can also be fed a mix of the initial driven signal and Delay 3. The overall time is set to a short range. The 4i version is generated from the offset value which moves the right time shorter or longer than the initial value for a stereo spread.

延迟4+4i还可以馈送初始驱动信号和延迟3的混合信号。总时间设置为短范围。4i版本是根据偏移值生成的，偏移值移动的时间比立体声扩展的初始值短或长。

Each of the delay sections sends its signal to the Wet Output and can also be fed back into the first bus using standard left & right or the left & right can be reversed for a more complex signal. Take care with feedback as larger values can very easily create a feedback loop that will howl until one or both feedback knobs are lowered.

每个延迟段将其信号发送到湿输出，也可以使用标准的左和右反馈到第一条总线，或者可以反转左和右以获得更复杂的信号。注意反馈，因为较大的值可以很容易地创建反馈循环，直到一个或两个反馈旋钮都降低为止。

Tone can be adjusted with a 6db high and low pass filter at the first audio bus. This means that with feedback, tone adjustments are cumulative.

可在第一条音频总线上使用6db高通和低通滤波器调整音调。这意味着通过反馈，音调调整是累积的。

There is a modulation system that is relatively simple with Delay 1+2 but more complex for the other delay lines.

有一种调制系统相对简单，延迟为1+2，但对于其他延迟线更复杂

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