Wave Arts Convology XT混响效果器采样Digital Reverb 246,248,250板式混响240,140等

流云高飞 · 发表于 2022-5-23 11:00:00

这是专门为Wave Arts Convology XT准备的混响采样，下载后加入到这个混响效果器的采样库里面即可使用。

An impressive collection of impulse responses for the Open Air convolutional reverb included in Studio One 3 Professional.
Studio One 3 Professional包含了一系列令人印象深刻的户外卷积混响脉冲响应。
Vintage Digital Reverbs

复古数字混响
Complete list of sampled reverb units:
采样混响单元的完整列表：

Digital Reverb 245 – (10 files) New York and Switzerland

数字混响245–（10个文件）纽约和瑞士

Digital Reverb 246 – (20 files) Austria and Switzerland

数字混响246–（20个文件）奥地利和瑞士

Digital Reverb 248 – (16 files) Nashville, Tennessee and Denver, Colorado

数字混响248–（16个文件）田纳西州纳什维尔和科罗拉多州丹佛

Digital Reverb 250 – (26 files) Nashville, TN

数字混响250–（26个文件）田纳西州纳什维尔

Digital Reverb 245

数字混响245

245 was 244 with pre-delay and reflections added. While other German devices included some of these same reflection settings in their algorithms, the 245 gave you the flexibility to actually set those settings. When you look at these files under a microscope, it is interesting to see early reflections (bursts) in the audio files. There has been a lot of engineering science that explored reflections, how far or close they would be from each other, to simulate different rooms, halls, etc. The longest reverberation time of a 245 is around 5 seconds.

245为244，添加了预延迟和反射。虽然其他德国设备在其算法中包含一些相同的反射设置，但245为您提供了实际设置这些设置的灵活性。当你在显微镜下观察这些文件时，在音频文件中看到早期反射（爆发）是很有趣的。有许多工程科学探索反射，它们之间的距离或距离，以模拟不同的房间、大厅等。245的最长混响时间约为5秒。

Digital Reverb 246

数字混响246

uses 250 algorithms like 248, with a lot of user control and flexibility. It also includes an extended memory slot similar to the 248. It has 6 program modes with programmable low-pass filter, reflections and attenuation.

使用248等250种算法，具有大量用户控制和灵活性。它还包括一个类似于248的扩展内存插槽。它有6种编程模式，带有可编程低通滤波器、反射和衰减。

Digital Reverb 248

数字混响248

The 248 was the last device in the series and many people appreciate it as a reliable and quite pleasant sound. The 248 was loaded with all sorts of presets and customizable algorithms, including a Baroque church, cathedral, Romanesque church with large rooms, hallways and even stairwells, bathrooms and a preset called “Tiny Room”. The 248 is a very powerful processor, and even today it is used, like many of these vintage devices, by leading musicians around the world. One of our units has been used by top country artists such as Reba, Carrie Underwood, Luke Brian …

248是该系列中的最后一款设备，许多人认为它是一种可靠且非常悦耳的声音。248台装有各种预设和可定制的算法，包括巴洛克式教堂、大教堂、罗马式教堂，其中有大型房间、走廊甚至楼梯间、浴室，还有一个名为“小房间”的预设。248是一款功能强大的处理器，即使在今天，它也像许多老式设备一样被世界各地的顶尖音乐家使用。我们的其中一个单元曾被顶级乡村艺术家使用过，如Reba、Carrie Underwood、Luke Brian…

Digital Reverb 250

数字混响250

The first real DSP produced. 250 uses 12-bit 24k converters, low is transmitted around 11Khz. This device has large levers at the top, weighs about 100 pounds and looks like it came from space – nicknamed “R2D2”. This is undoubtedly one of the best DSPs of the time, and the few who own one of these remaining vintage outboards still use them often and unabashedly. There are units 251 and 252, which are offshoots of this model. A total of about 250 original devices were manufactured, which were then adapted for the newer interface 251 and 252 updates, with 252 being rack mounted.

第一个真正的DSP产品。250使用12位24k转换器，低电平在11Khz左右传输。这个装置顶部有一个很大的杠杆，重约100磅，看起来像是来自太空——绰号为“R2D2”。毫无疑问，这是当时最好的DSP之一，少数拥有这些剩余的老式外板的人仍然经常毫不掩饰地使用它们。有251号和252号机组，它们是该型号的分支。总共制造了大约250个原始设备，然后对其进行了调整，以适应较新的接口251和252更新，其中252个是机架安装的。

Vintage Spring Reverbs Selected

选择复古春季混响

from 6 different countries including UK, Canada, Netherlands, New Zealand, Scotland and USA.

来自6个不同的国家，包括英国、加拿大、荷兰、新西兰、苏格兰和美国。

Many of these devices have been used by major artists, including some that are truly historic, such as the tubular springs used by The Rascals, Van Morrison and James Brown’s famous It’s a Man’s Man’s Man’s World. (K-100 Spring)

这些设备中的许多都被主要艺术家使用过，包括一些真正具有历史意义的设备，如流氓使用的管状弹簧、范·莫里森和詹姆斯·布朗著名的《男人的男人的世界》。（K-100弹簧）

General overview

一般概述

This library contains 26 different Spring Reverb units. Many who grew up in the era of cymbals and springs turned to cymbals for very good reasons. After careful consideration and treatment in studios around the world for the most interesting vintage springs to find and acoustically fix, some of these springs are simply gorgeous with the spring and device electronics, truly producing fantastic sounding reverbs – the 3D sound quality that is sought many engineers.

该库包含26个不同的弹簧混响单元。许多在钹和弹簧时代长大的人转向钹有很好的理由。在世界各地的工作室仔细考虑和处理了最有趣的老式弹簧并进行了声学修复后，其中一些弹簧与弹簧和设备电子设备完美结合，真正产生了美妙的混响–许多工程师都在寻求3D音质。

If you’ve always considered yourself a plate reverb individual, this library will definitely change your mind.

如果你一直认为自己是一个混响板个人，这个库肯定会改变你的想法。

Springs come in all sorts of different kinds, and yes, there are some boring ones – you need a few for this vintage guitar, lead vocals and organ sound, right? There are also mono and stereo versions, as well as a variety of lush and warm springs that sound almost like a cymbal – they convey “reflections from nearby walls” like a spring can – when slight tremors and spring flutters occur.

弹簧有各种不同的种类，是的，有一些很无聊的，你需要一些来制作这把古董吉他，主唱和风琴声，对吗？也有单声道和立体声版本，还有各种各样的郁郁葱葱、温暖的泉水，听起来像铙钹——它们像泉水一样传递“来自附近墙壁的反射”——当发生轻微震动和泉水颤动时。

This collection of spring reverbs comes with a wide variety of springs that are useful for a variety of applications. This library has a large number of impulse response files that you won’t hesitate to apply to lead vocals – so good they can rival some of your favorites – digital or plate reverb presets. Springs are regularly used by a number of leading engineers and producers, and some are used as the primary tool for reverb in general.

这个弹簧混响的集合带有各种各样的弹簧，这些弹簧对各种应用都很有用。这个库有大量的脉冲响应文件，您可以毫不犹豫地将其应用于主唱，它们非常好，可以与您最喜欢的数字或平板混响预设相媲美。许多顶尖的工程师和制作人经常使用弹簧，有些弹簧通常用作混响的主要工具。

Vintage Plate Reverbs

复古板混响

Complete list of reverb samples:

混响样品完整列表：

Plate Reverb Eco II (8 files) – Appleton, WI

Plate Reverb Eco II（8个文件）-威斯康星州阿普尔顿

Plate Reverb Eco III (13 files) – Sweden

板式混响Eco III（13个文件）-瑞典

Plate Reverb 140 Tube (16 files) – Nashville, TN

板式混响140管（16档）-田纳西州纳什维尔

Plate Reverb 140 (19 files) – Finland

平板混响140（19个文件）-芬兰

Plate Reverb 240 (15 files) – Los Angeles, California

平板混响240（15个文件）-加利福尼亚州洛杉矶

Plate Reverb Lawson (13 files) – Nashville, Tennessee

平板混响劳森（13个文件）-田纳西州纳什维尔

Plate Reverb 140

平板混响140

For many, the 140s are considered the king of the mountain for a number of reasons. They were the first to hit the market in the late 1950s. They tend to be slightly warmer, tend to reproduce, as they were originally designed, the sound of a concert hall, and with limited EQ for the most part can reproduce a dark, bright or warm sounding room, etc. more easily. – lovely sound files in every 140 selected models – try t

对许多人来说，140年代被认为是山中之王有很多原因。他们是20世纪50年代末第一个进入市场的公司。它们往往会稍微暖和一些，像最初设计的那样，倾向于再现音乐厅的声音，并且在EQ有限的情况下，大多数情况下可以更容易地再现黑暗、明亮或温暖的房间等每140个选定型号中都有可爱的声音文件–请尝试t

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