Genuine Soundware Compact DeLuxe v1.0.0 晶体管风琴音源 WiN [MOCHA] VST2/VST3/SAL
Among the many transistor organs of the past, also known as "Combo Organs" (mostly because some of them also had a rhythm section and built-in speakers), the Farfisa Compact DeLuxe, along with its big brother the Compact Duo, was one of the most used organs at least in the european beat scene of the early and mid seventies. The electronic circuit of this kind of organ is relatively simple, at least on paper: rather than using a mechanical tone generator like the tonewheel models (Hammond and Pari), the transistor organs used a circuit called "Top Octave Synthesizer", TOS for short, responsible of the generation of 12 waveforms, one for each note of the last octave of the organ keyboard. The basic waveform was usually something halfway between a ramp and a triangular. The lower octaves were produced by means of "divider" circuits that could halve the frequency of each waveform, going so forth for each lower octave down to the pedalboard tones. At each division, something was lost and something was gained in terms of harmonic content. The result was that the same notes of different octaves had oscillators perfectly in sync, so all C notes were in sync, all C#, all D and so on. This same technique was also used in so-called "string machines" or "stringer keyboards" that emulated orchestral sounds (violins, trumpets, etc.) - see GSi's Electrorchestra.
在过去的许多晶体管风琴中，也被称为“组合风琴”（主要是因为其中一些还有节奏部分和内置扬声器），法菲萨Compact DeLuxe和它的老兄弟Compact Duo是至少在70年代初和中期的欧洲节拍场景中使用最多的风琴之一。这种风琴的电子电路相对简单，至少在纸面上是这样：晶体管风琴不像音轮模型（Hammond和Pari）那样使用机械音调发生器，而是使用了一种称为“顶部倍频程合成器”的电路，简称TOS，负责产生12个波形，风琴键盘最后一个倍频程的每个音符一个。基本波形通常介于斜坡和三角形之间。较低的八度音阶是通过“分频器”电路产生的，该电路可以将每个波形的频率减半，每个较低的八音度一直到踏板音。在每一次分裂中，在谐波含量方面都有所损失，有所收获。结果是，不同八度音阶的相同音符具有完全同步的振荡器，因此所有C音符、所有C#、所有D音符都是同步的。这种相同的技术也被用于模拟管弦乐（小提琴、小号等）的所谓“弦机”或“弦键盘”中-见GSi的Electrorchestra。
The various registers in combo organs were produced by passing the raw waveforms through a filter bank, so some waveforms were low-pass filtered for bass-like sounds, some were high-pass filtered for violin-like sounds, etc. and some waveforms also went through more than one filter. This also adds some level of phase shifting between waveforms coming from different registers, the reason why the sum between, e.g. a Flute 8' and a Violin 8' isn't exactly the superimposition of the two waveforms, but something slightly different. And this is one of those underrated details that made the sound of some Combo Organs pretty unique.
组合风琴中的各种寄存器是通过将原始波形通过滤波器组来产生的，因此一些波形对于类似低音的声音进行低通滤波，一些波形对于像小提琴的声音进行高通滤波，等等。一些波形也经过多个滤波器。这也增加了来自不同寄存器的波形之间的一定程度的相移，这就是为什么长笛8’和小提琴8’之间的和并不完全是两个波形的叠加，而是略有不同的原因。这是一个被低估的细节，使一些组合器官的声音非常独特。
The sound engine of GSi Compact DeLuxe is also included in the GSi Gemini as well as in the Crumar Mojo 61.
GSi Compact DeLuxe的声音引擎也包含在GSi Gemini和Crumar Mojo 61中。
Of course this type of instrument gives its best if run through external effects and amps. Have a look at the GSi catalog and experiment with some of the effects offered by GSi.
当然，如果通过外部效果和放大器运行，这种类型的仪器会发挥出最佳效果。看一看GSi目录，并对GSi提供的一些效果进行实验。
Main features
主要功能
- Component Modeling engine (no samples, all real-time synthesis)
-组件建模引擎（无样本，全部为实时合成）
- Full Polyphony (61 notes, 12 Top-Octave Oscillators + Frequency Dividers)
-全复调（61个音符，12个顶级倍频程振荡器+分频器）
- Key multi-contact simulation with authentic and adjustable key click
-按键多触点模拟，具有真实和可调节的按键点击
- Authentic recreation of the Farfisa register filters
-真实再现Farfisa寄存器过滤器
- Recreation of the background noise and leakage
-背景噪声和泄漏的再现
- Adjustable vibrato (speed and depth)
-可调节的颤音（速度和深度）
- Built-in Stereo Delay effect
-内置立体声延迟效果
- Built-in Stereo Reverb effect
-内置立体声混响效果
- Built-in programmer with unlimited Programs
-具有无限程序的内置程序员
- Embedded user's manual
-嵌入式用户手册
- Available as Stand-alone application and audio plugin
-可用作独立应用程序和音频插件
- Very low CPU and RAM usage
-CPU和RAM使用率非常低
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