模拟风琴音源Acousticsamples – B-5 Organ V3 (UVI Falcon)
Organ B5 is based on real tone wheel samples and is fully modeled from: tone wheel sensors and AO-28 amplifier to resistive wires, rods and key contacts … Everything was carefully measured on different models and adjusted according to real organs. True organ sound with the flexibility of synthesis.
风琴B5基于真实的音轮样本，从：音轮传感器和AO-28放大器到电阻线、棒和键触点……所有的一切都在不同的模型上仔细测量，并根据真实的风琴进行调整。真实的风琴声音，具有合成的灵活性。
Hybrid Approach.
混合方法。
Hammond’s organs are complex animals, full of wires and mechanical parts. The best performances so far (with the exception of a real organ) have been made using pure synthesis, mainly because the organ operates using a set of 91 frequencies that are connected via contactors under each key and whose volume is controlled by levers.
哈蒙德的器官是复杂的动物，充满了电线和机械部件。迄今为止，除了真正的风琴外，最好的演奏是通过纯合成完成的，这主要是因为风琴使用一组91个频率进行操作，这些频率通过每个按键下的接触器连接，音量由杠杆控制。
Sample-based libraries consist of the simultaneous stacking of thrust samples. This works, but causes a serious problem: sometimes you play the same frequency twice, and due to phase cancellation, you never get the same sound twice when you press the same keys.
基于样本的库包括推力样本的同时叠加。这是可行的，但会导致一个严重的问题：有时你会播放两次相同的频率，由于相位相消，当你按相同的键时，你永远不会得到两次相同的声音。
We found a way, using a 91 frequency synthesis approach, but with real samples, that allows you to enjoy the best of both worlds: real recorded organ tone plus real mechanical behavior, but with the added benefit of functional drawbar controls and synth tuning options.
我们找到了一种方法，使用91频率合成方法，但使用真实样本，让您享受两个世界的最佳效果：真实录制的器官音调加上真实的机械行为，但功能牵引杆控制和合成器调谐选项的额外好处。
Move the R2RUVI file from the R2R folder to C: \ ProgramData \ UVI \ R2R
将R2RUVI文件从R2R文件夹移动到C:\ProgramData\UVI\R2R
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